Shroud Makes Turin a World-Renowned City
ABC News
Feb 1, 2014 — Just as Salt Lake City was famous long before the 2002 Winter Olympics because of its ties to the Mormon Church, so the 2014 host city has been renowned for its own religious connection: For the last 428 years it’s been home to the world’s most celebrated holy relic, the Shroud of Turin.
Could this linen cloth, as believers think, have wrapped the body of the crucified Jesus Christ at the moment he rose from the grave?
Take your pick. The shroud is either:
A) Astonishing physical evidence of the Easter miracle;
B) Fascinating medieval folk art; or,
C) A fabulous fraud.
Don’t expect any help from the Roman Catholic Church as you decide. The Vatican remains steadfastly neutral on this popular religious puzzle.
Olympics tourists might stroll to the Piazza San Giovanni and the cathedral where the more than 14-foot-long shroud is encased in a huge, climate-controlled steel box under bulletproof glass. But none will see the storied and closely guarded relic. The next display is scheduled 19 years hence, and Turin’s Cardinal Severino Poletto barred even private viewings for dignitaries at the games.
Fascination with the shroud has spread beyond Roman Catholics to secular scientists and even some evangelical Protestants. There are some 28 organizations of devotees in the United States alone, five in Italy and 10 elsewhere.
The shroud’s mystique stems from its sepia image of a wounded, wiry, bearded man. The faint picture is formed by discoloration of the outer layer of the fibers. Scientists have reached no agreement on how hoaxers could have produced this figure.
Other uncanny aspects: Pollen embedded in the cloth came from plant species found only in Turkey and the Holy Land. Blood stains seen on the cloth contain chemicals from human blood and weren’t painted on. The catch is that the stains are red but old blood turns black.
The shroud’s existence can only be traced back to 1357 when it went on display in Lirey, France. It was controversial even then. The local bishop declared the exhibit a fraud and a subsequent bishop warned the pope in 1389 that the shroud was a “product of human handicraft.”
